Weekly Release Spotlight
That one perfect album that we (and you) almost missed.
Dreamachine by Habibi
Habibi’s newest album, Dreamachine, is punchy, yet ethereal. Meshing psych and garage rock, as well as 1960s girl group-inspired vocals, the group brings forth an evolved and matured sound beyond their previous two records. Citing influence from Middle Eastern psych rock, as well as tangible influence from post-punk vocals, Habibi’s multitude of influences lean in their favor and create a dynamic, pulsating sound. Dreamachine is its own world, each track working to make it harmoniously whole.
Not God by Finom
After several name changes, Finom is finally ready to show the world what they’re made of on their debut album, ‘Not God’. This duo is undeniably Chicago, the album is even produced by Wilco frontman Jeff Tweedy! With energetic bursts and large-ranged vocal delivery, Not God is packed with tangible influences that combine into an indescribable, unique sound that is assuredly addicting
Lives Outgrown by Beth Gibbons
Debut solo album from the elusive lead singer of Portishead, Beth Gibbons, lives up to and beyond expectations. Distancing from Portishead’s electronic, trip-hop sound and opting for a more organic, acoustic soundscape, “Lives Outgrown” is an immensely personal album. With reflections upon aging and growing out of old habits, Gibbons takes this album as an opportunity to reintroduce herself to the world. “Lives Outgrown” was recorded over the course of ten years, and the immense thoughtfulness and attention to detail is evident throughout the project, with Gibbons’ reserved, at times strained, vocals highlighted by introspective lyricism.
Here In The Pitch by Jessica Pratt
Jessica Pratt’s ‘Here In The Pitch’ is a subdued, understated masterpiece. Her soft voice holds captive throughout tracks, all while accompanied by equally delicate instrumentation. With haunting crescendos on tracks like “Nowhere It Was” in contrast to light, airy tracks like “Better Hate,” Pratt’s vocal and lyrical talents are highlighted across the album. Inspired by Hollywood psychedelia and bossa nova, Pratt weds the two genres with her signature minimalist folk production to create a fresh sound and cohesive record
Funeral For Justice by Mdou Moctar
Desert Blues pioneer Mdou Moctar is back and better than ever on his latest release, “Funeral For Justice.” Mahamadou Souleymane, also known as Mdou Moctar, is accompanied by Ahmoudou Madassane, Michael Coltun, and Souleymane Ibrahim to form a hard-hitting fourpiece. “Funeral For Justice” reveals a more confrontational side of the group’s music, critiquing everything from French colonialism to Nigerian political leadership. The group’s unmistakeable anger, fueled through ripping guitar solos and provocative lyricism, makes for a timely arrival that really lives up to the album’s name. Moctar’s “Funeral For Justice” is an essential, cathartic listen for those mourning justice worldwide.
Standing on Giant Shoulders by Seafood Sam
Seafood Sam’s latest release, Standing on Giant Shoulders, is a rich, luscious exploration of sound. Interloping drum beats with orchestral elements of trip hop, Sam employs the help of other musical powerhouses: Pink Siifu, Rae Khalil, and Jayellz to name a few. His distinctly West Coast sound pairs beautifully with lyrics surrounding nostalgia and bliss, reminiscent of a warm summer day by the seaside. A self-described “futuristic artifact,” Seafood Sam is pushing boundaries and making waves.